Cover art by Geoffrey Cosmatos

Author: Max Brod, translator of Lovecraft’s Epitaphs and Views Afar, brief note also by W.H. Auden.

Translator’s Introduction by Samuel Hynes

Yale University Press & University of Washington Press, 2010

Introduction by S.T. Joshi

Here is an unforgettable moment in an unfinished life. Late in the autumn of 1941, a brilliant young psychiatrist brought one of the cataclysmic civilization-ending innovations of the twentieth century to a remote cottage in the western Massachusetts hills: the first audio recording of a dream-chamber. This is only a small, free-standing construction in a dark, wood-filled garden. Its modest size and out-of-the-way locale made it ideal: no planning permits; no tenants involved; and, fortunately for Max Brod, its new owner, Prof. Theodore Dreiser, was renowned for his affinity for eccentric reclusiveness.

Brod had likely been aware of the other-worldly phantasmagoria of Kreib-ner since his student days, but this recording was the first he had actually heard. In the small hours of September 7, Dreiser put the eidetic apparatus down outside his study and– muffled by a foot-draped door– left both the recorder and a lit candle on the library table. The patient into whose mind he intended to look was himself: his brain-dreams would illuminate the things that circumscribed his present existence as well as those bigger, grander, and more strangely interconnected ones from which he had been barred. He talked later about his night of absolute clarity, into which he was wholly absorbed.

There is no better place to hear the dream-chamber than through the patient’s own words:

“When the recording apparatus was ready, I was alone and sat in my usual position on the couch. I lay on my back, the pillows just behind me on the floor. The larger brass plate was lying on the bed, and I did not see it. I do not know how long I talked, but I only saw the glowing lamp. I had never visited the recording apparatus before.

“Suddenly a fleshy hand gripped my head and started to push the back of my head behind my ear. It was steadily and without any intimate whimpering raised. My eyes had become fixed–like those of

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